There are editors, and then …

… there are editors.

My initial idea for this post was quite different from what it is actually about. You see, I was surfing the internet (what else is there to do when self-isolating, aside from bingeing* shows on Netflix or some other streaming platform?) when I saw an editor say something that stopped me dead in my tracks. I won’t quote it here; I not only do not have permission, but I would not ask for it. It’s not a very flattering reason to be quoted. It was a gaffe I almost immediately attributed to the difference between a copy editor and a developmental one. The copy editor needs a grounding in grammar. The developmental one does not. In fact, it can be a hindrance; it’s much easier to do the deep reading for developmental work without the distractions of misplaced modifiers and errant commas.

I had thought I’d write about the problem in the statement, which meant a lot of deep grammar stuff that even some long-time copy editors don’t necessarily know. It’s one thing to know that something is wrong; it’s another to know precisely why, and to be able to explain why in clear, concise, and above all correct terms.

This was … not correct.

And unless the writer knows grammar, they won’t know it’s not correct.

And for me, that’s a problem.

But backing up a step: The gist of the comment was right. The wrong thing was being emphasized. The details were wrong, though. And that bothered me. It still bothers me, hours later. But I realized, as I sat being bothered, that the bigger issue is that “editing” is a very large tent, encompassing several styles, and while there is often some overlap in skills, there isn’t necessarily any. It’s a happy coincidence when there is, in my experience.

And it’s far from my place to call someone out on having spoken erroneously when they’re essentially talking to a specific person, as it was in this case, rather than to a group at large. Not my business, honestly.

I know some of you must be wondering what the error was that got under my skin. Pretty basic stuff, really, about the grammatical subject of a sentence. Except there was a predicate complement involving a subordinating preposition followed by a rather intricate clause, and that got mixed up with the grammatical subject, and it was a right mess.

The developmental editor had a good point, but they made it with utterly incorrect information. That’s what bothered me. The sentence in question needed rewriting to tighten the focus, yes. But the prepositional object was not the grammatical subject of the sentence. Nope, sorry. (And it didn’t help that the prepositions were understood/implied rather than present, but if you diagrammed the sentence you’d know they were there. English grammar, man, it’ll get you in the ass every time.)

Can the recipient of the suggestion use the information they got and improve their writing? Probably. Especially if they go to the editor and ask for clarification. Even one who doesn’t know all the grammatical terms can still explain a problem like this one in ways that a writer can take to heart and use in a later draft. Know that I’m saying that as both a copy editor who knows her grammar and as a developmental editor who learned that DEs don’t need to focus on the technical issues, but rather on the Big Picture or “30,000 feet” problems. “Put the focus on [this word] instead of [that word].” That was the heart of the statement. And it was appropriate for the situation.

But the subject wasn’t the object of the preposition.

 

*”Bingeing” is the preferred spelling given by Merriam-Webster. The E differentiates it from “binging,” as in “The computer was binging for at least 15 minutes while her cousin tried to get her attention.”

Yep, it breaks the “rule” for dropping the terminal E when adding -ing to a verb. Too fucking bad.

When I say “complex,” I mean …

This will be short, I hope. I think it’s time to define for my fine readers what “complex” means, grammatically speaking.

A complex sentence contains at least one subordinate clause.

Your eyes glazed over. I saw it. So here it is in plain language, following an example.

My brother, who was the valedictorian of his class, just lost his job.

That clause in italics is subordinate, meaning it can’t stand alone as is as a complete sentence because it’s directly related to another word, in this case a noun, in the sentence. It’s also called a dependent clause because it depends on the rest of the complete sentence to make sense.

When grammarians, some of whom are editors, talk about complex sentences, this is what they’re talking about. There’s another dependent (subordinate) clause. “Some of whom are editors.” There’s a subject, “some,” and a verb, “are.” You can’t just say “Some of whom are editors” and have a complete sentence, though. What does “some” relate to? “Grammarians.” Pull out that dependent clause, and you still have a complete sentence: When grammarians talk about complex sentences, this is what they’re talking about.

In fact, that sentence begins with a subordinate (dependent) clause: “When grammarians talk about complex sentences” can’t stand on its own as a complete sentence. Even taking out the subordinate clause beginning with “some” leaves us with a complex sentence. “This is what they’re talking about” is the independent clause, the complete sentence, the base on which the rest is built.

Sure, we speak in dependent clauses when we’re being informal, especially if we’re adding information to what someone’s saying. But grammatically? They’re not sentences, and they can’t stand alone.

Just because a sentence contains a lot of words doesn’t mean it’s grammatically complex. It may just have a lot of words.