I’ve been seeing comma issues lately and I need to write about them.
Up there in the title, “long” and “cold” are what’s called “coordinate adjectives.” They modify the same noun (“winter,” in this case), so they’re coordinating their work. (Make sense? Good. Onward.) Continue reading “the long, cold winter (see? only one comma)”
Not “New Year,” because this has next to nothing to do with the holiday that’s several days past already. Just “new year,” because in fact it is a new year.
Last year there were quite a few changes in our household, but I’m not here to talk about them. Face it; you don’t give a shit about what happens in my house. Not unless it’s editing, and especially if it’s editing YOUR project. So, don’t sweat it. This isn’t the blog equivalent of some dreadful/dreaded holiday letter. Continue reading “Obligatory new year post”
Some of you already know what I’m about to say, just from reading that phrase. And you might be surprised to see what I’m about to say on the subject, because it’s not a terribly popular opinion. Still, it’s mine, and I’m airing it. Because I can. Continue reading “Toast and orange juice”
I’ve written before about how I am no longer a teacher. How editors aren’t teachers. Perhaps I was hasty in making that statement (over the years–hasty like a tortoise). Continue reading “The editor as teacher”
I saw a billboard the other day advertising the House on the Rock. If you’ve been there, you know what it’s like. If you haven’t, perhaps you’ll make plans to go. Fans of American Gods know about it, thanks to Neil Gaiman’s interest in it. And yet …
The billboard exclaimed “AMAZING YET INDESCRIBABLE”.
Why use “yet” there? Isn’t it logical, sensible even, that something amazing could also be indescribable? Used as a conjunction, “yet” means “but” or “though.” “Amazing BUT indescribable”? “Amazing THOUGH indescribable”?
WHY? I must have pondered this for a good ten minutes or so after seeing the sign.
I still don’t have a good answer.
Remember in elementary school, maybe even high school, when your teacher gave the “don’t switch tenses” talk about writing?
Have you thought, in the years since then, how utterly ridiculous that statement is? Continue reading “A tense situation”
First, know that it caused me psychological pain to type that title. It’s a run-on sentence, you see. There are two complete thoughts (“Let’s talk about run-on sentences” and “how do you know one when you see one?”), but they run together without any visual cue, without proper mechanics. The grammar is just fine. It’s the mechanics that are missing–except for that question mark at the end, and the apostrophe for the contraction of “let us.” (You knew that’s what “let’s” means, right? Good.)
Second, here’s why I want to talk about them: people don’t understand what they are. Oh, when they’re short, like the one in this title, they get it right. But when a sentence goes on for what the average reader considers “paragraph length,” that reader assumes it HAS to be a run-on. And many times, that reader is wrong. Continue reading “Let’s talk about run-on sentences how do you know one when you see one?”