Why use “yet” in this phrase?

I saw a billboard the other day advertising the House on the Rock. If you’ve been there, you know what it’s like. If you haven’t, perhaps you’ll make plans to go. Fans of American Gods know about it, thanks to Neil Gaiman’s interest in it. And yet …

The billboard exclaimed “AMAZING YET INDESCRIBABLE”.

Yet?

Why use “yet” there? Isn’t it logical, sensible even, that something amazing could also be indescribable? Used as a conjunction, “yet” means “but” or “though.” “Amazing BUT indescribable”? “Amazing THOUGH indescribable”?

WHY? I must have pondered this for a good ten minutes or so after seeing the sign.

I still don’t have a good answer.

On peeververein and the burnishing of credentials

This post has been banging around in my head for a few days. I’m going to try again to get it out of my gray matter and into pixel form so I can stop thinking about it.

Perhaps I’m a bad editor, but I refuse to read the local papers’ columns by “grammar experts.” (When I say “local,” I mean local to anywhere; the tiny burg I live in has little more than a broadsheet filled with want ads, for-sale/giveaway ads, and minutes of the local school board and PTO meetings. However, the power of the internet lets me access papers from all around the country. But I digress.) Why don’t I read them? Continue reading “On peeververein and the burnishing of credentials”

Notional concord redux

I wrote about the concept of notional concord here. Refresh your memory if you like before reading farther. I’ll wait.

All right. I just encountered the following.

“Each of these disparate images have their own story […]”

The problem is that phrase “of these disparate images.” Without that, we know that “each” implies a singular thing, one item, and therefore takes a singular verb. However, as soon as we put a phrase after it that contains a plural noun, things get complicated. The MWDEU invokes Copperud and says that “notional agreement appears to be gaining ground over grammatical agreement.” Continue reading “Notional concord redux”

When beginning matters

“He began to walk across the room.”

“She started to answer.”

Why do I need to know this? Why can’t it just say “He walked” and “She answered”?

This is one of the most common issues I see in my fiction editing work. Characters are forever starting and beginning things they could, quite honestly, just do. So, when does beginning matter? Continue reading “When beginning matters”

Ee-ther, eye-ther …

This post isn’t about song lyrics. It’s not about pronunciation in regular speech, either. It’s about word placement.

When you use the conjunction “either” or its negative form “neither,” you need to be aware of what you’re comparing. Placing the word correctly is vital, or you end up with an illogical construction. Consider this:

“He was either too tall or those trousers were too short.” Continue reading “Ee-ther, eye-ther …”

About that word Comey used

There’s a lot of discussion (I’m trying to be neutral, here) about FBI Director James Comey’s use of “nauseous” in the last day or two.

Pedants will shout that he should have said “nauseated,” because “nauseous” is only and ever used to mean “capable of creating nausea” (like some fumes, or some votes in the US House. But I digress). Continue reading “About that word Comey used”